Bert Clere wrote a nice appreciation for the children's books of Arnold Lobel, among them the Frog and Toad series and Owl at Home. Clere says Lobel's stories offered insights for children about, yes, friendship but also about the importance of individuality.
Lobel's Frog and Toad series, published in four volumes containing five stories each during the 1970s, remains his most popular and enduring work. Frog and Toad, two very different characters, make something of an odd couple. Their friendship demonstrates the many ups and downs of human attachment, touching on deep truths about life, philosophy, and human nature in the process. But it isn't all about relationships with others: In the series, and in his lesser-known 1975 book Owl at Home, Lobel offers a conception of the self that still resonates decades later. Throughout his books, he reminds readers that they are individuals, and that they shouldn't be afraid of being themselves.
Frog and Toad are favorites at our house. I'm going to read them to the kids this weekend with a new appreciation. Wanting to fit into the group is a powerful impulse for children, reinforced these days by the increased focus on group work in schools, so it's nice to have a counterpoint to share with them.
Thomas Leuthard takes us around Salzburg and demonstrates a number of tricks you can employ to take photos on the street. Tricks sounds too gimmicky...think of these as potential approaches to being creative with a camera. Watching this made me want to start taking photos again. Before I had kids, I carried a camera pretty much everywhere.1 I still do (in the form of an iPhone 6s) but I'm not hunting for photos in the same way.
The app Flyover Country, built by a team at the University of Minnesota, uses GPS to tell you what interesting features you're currently flying over.
Learn about the world along the path of your flight, hike, or road trip with GPS tracking. Offline geologic maps and interactive points of interest reveal the locations of fossils, core samples, and georeferenced Wikipedia articles visible from your airplane window seat, road trip, or hiking trail vista.
More on the app from Fast Company. (via @feltron whose book came out the other day!)
This 90s TV interview with Seinfeld theme song composer Jonathan Wolff is more interesting than you'd think. He talks through how he matched the theme to Jerry's standup delivery tempo and how each episode's song had to be customized the match the pacing of Jerry's particular monologue that week. (via digg, which is particularly good today)
From CBC Radio show This Is That, which previously did a bit on Artisanal Firewood, comes a spoof on fancy shows about chefs like Chef's Table called Cooks.
What do I want people to think of my food? Well, that it's fast, it's cheap, it's a little salty, and most importantly, that it was cooked all the way through.
The Samurai Guitarist recorded himself playing the Beatles' Here Comes the Sun reeeeally slowly for 30 minutes and then sped the audio up by 20 times, which made his guitar sound like a violin. He explains how on Reddit.
Ok so my original plan was to rerecord the guitar normally when the video was done. I have a musical notation software that I plugged in everything exactly how I wanted to play it. I then added a metronome to trigger every 1/32nd note and set the tempo to 7 bpm, knowing that when sped up 20x that would be a nice tempo. It would also take 30 minutes or so which should be about the perfect time for a sunrise.
In Ex Machina, Oscar Isaac's Nathan Bateman performs a dance number with one of his AI robots, played by Sonoya Mizuno. It's the scene where I decided I was going to like the movie. Mizuno is a ballerina as well as an actress, but Isaac has no problem keeping up with her as the pair dance to Get Down Saturday Night.
Now, Twitter account @oscardances is showing how you can plug pretty much any song into that scene and the dance still works. Here's Michael Jackson's Thriller:
Intergalactic by the Beastie Boys:
And Oops I Did It Again by Britney Spears:
And there are dozens more here. (via @gavinpurcell)
David Grann has been relatively quiet lately on Twitter and at the New Yorker, where he is a staff writer; he hasn't written anything for them in more than four years. I figured he was busy writing a book and so he was. Killers of the Flower Moon: The Osage Murders and the Birth of the FBI is about the murders of the members of the Osage Indian Nation in the 1920s.
In the 1920s, the richest people per capita in the world were members of the Osage Indian Nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe.
Then, one by one, they began to be killed off. One Osage woman, Mollie Burkhart, watched as her family was murdered. Her older sister was shot. Her mother was then slowly poisoned. And it was just the beginning, as more Osage began to die under mysterious circumstances.
Sounds fantastic. Grann's previous books are The Devil and Sherlock Holmes and The Lost City of Z, which should be out in movie form sometime soon.
In his latest video, Evan Puschak argues that intertextuality in movies -- you know, fan service: "hey look, that thing you know from the previous thing!" -- is increasingly doing the heavy lifting of creating drama and excitement, resulting in weaker stories.
I loved seeing the Millennium Falcon for the first time in The Force Awakens, the use of the original Jurassic Park vehicles in Jurassic World, and hearing Dumbledore's name in the trailer for Fantastic Beasts and Where to Find Them, but yeah, those things have to be the cherry on top of good storytelling elements, not the whole sundae.
In the 90s, Bruniquel Cave was discovered to have a chamber containing an interesting human-built structure made from broken stalagmites. Carbon dating of a burnt bear bone within the chamber put the age of the activity at 47,600 years ago, smack dab in the Neanderthal era in that area. But recently, after a lull in research about these cave structures, analysis of uranium levels in the broken stalagmites resulted in a much older date for the construction: 176,500 years ago.
Nor is it clear how the Neanderthals made the structures. Verheyden says it couldn't have been one lone artisan, toiling away in the dark. Most likely, there was a team, and a technically skilled one at that. They broke rocks deliberately, and arranged them precisely. They used fire, too. More than 120 fragments have red and black streaks that aren't found elsewhere in the chamber or the cave beyond. They were the result of deliberately applied heat, at intensities strong enough to occasionally crack the rock. "The Neanderthal group responsible for these constructions had a level of social organization that was more complex than previously thought," the team writes.
In Trump Taps Into the Anxiety of American White Males, Anand Giridharadas writes:
Yet there is some evidence that a sizable number of white men see the push toward diversity, along with the larger changes it telegraphs, as less about joining and more about replacement, and a country that is less hospitable to them.
That sentiment is perhaps expressed in a quote widely circulated online in these discussions, though the origin is unknown: "When you're accustomed to privilege, equality feels like oppression."
This is perhaps what Tyler Cowen was getting at with his highly speculative and provocative What the hell is going on?
The contemporary world is not very well built for a large chunk of males. The nature of current service jobs, coddled class time and homework-intensive schooling, a feminized culture allergic to most forms of violence, post-feminist gender relations, and egalitarian semi-cosmopolitanism just don't sit well with many...what shall I call them? Brutes?
Quite simply, there are many people who don't like it when the world becomes nicer. They do less well with nice. And they respond by in turn behaving less nicely, if only in their voting behavior and perhaps their internet harassment as well.
I wouldn't recommend it, but a spin through the comments on Cowen's piece provides some examples of what he's talking about.
If you skip to around 3:15 in this video, you'll see a race between the Tesla Model X, the company's electric SUV, and an Alfa Romeo 4C Spider sports car. The Model X easily beats the Alfa Romeo to 60 mph while towing another Alfa Romeo 4C Spider behind it. Here's Keanu with a comment: "Whoa." How can you not love a car outfitted with something called Ludicrous Mode? (via a proud @elonmusk)
Terrapattern is a search engine for satellite images. You click on a specific feature of interest on a map and the site returns results that match it. For instance, here are the locations of solar panels in NYC.
You can also use Terrapattern to find school bus depots, fracking wells, Air Force bombers, baseball diamonds, train tracks, and much more.
There are only four cities currently represented (Pittsburgh, New York, San Francisco, and Detroit) but this is already super cool to play around with. (via @genmon)
My therapist and I have yet to figure out why, but I have a soft spot for objects that do unexpected impressions of other things and people. Like this sliding door that sounds like R2-D2 screaming. Or the falling shovel that plays Smells Like Teen Spirit. Or the door that can do a wicked Miles Davis impression. Or the nightstand door that sounds like Chewbacca. I even found one of my own a few months ago: the elevator door at the old Buzzfeed office sounded like Chewbacca as well. (via @williamlubelski)
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