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The early works of the D’Aulaires

Ingri and Edgar Parin D’Aulaire, a married team of writer-artists, are best known for their popular late works on Greek and Norse mythology. (After Calvin and Hobbes, D’Aulaires’ Book of Greek Myths was probably the most important book of my childhood.) But after some early works on Norse folktales (Ingri was Norwegian, Edgar German/Swiss; they met in Germany and emigrated to the US in the 1920s), the D’Aulaires made a series of award-winning books on American history and folklore, much in the mythic, dreamy style of their later work.

Like any mythological hero, the D’Aulaires’ George Washington has powers beyond those of ordinary men. He’s stronger than other boys and rides his horse more skillfully. He can hurl a rock across the width of the river. He’s shot, but unharmed. Lincoln is also demigod-like, when they tell of how he “wrestled with the strongest and toughest of them all, and threw them to the ground.”

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